R.A.W. aka 6BLOCC is known for his relentless techniques behind the wheels of steel. Getting his start back in 1985, this dj is no amateur when it comes to tuntablizm. He was already battling local djs in Los Angeles before the modern dj culture was even created. In 1988 he made his move into the hip hop game with 2 vinyl releases under the name PROJECT X which featured Brooklyn MC, SILKSKI.
He went on to film a music video for one of the releases which aired on local L.A. music video shows. That same year he joined the legendary L.A. hiphop radio station, KDAY and spun live broadcasts along with other Angelino djs called HIGH ENERGY MIXMASTERS. During this time, he entered many dj battles including showdowns with Joe Cooley, Tony A. and JRocc. This experience has led to the legend we now see on the decks.
In 1991 the sounds of UK hardcore / jungle were creeping onto the shelves of dance shops in L.A. and R.A.W. was quick to spin and represent. With help from Dj Dan, R.A.W. began playing at major raves and underground events throughout the west coast. His sound at the time was a blend of jungle, hiphop, turntablizm and hardcore sounds which made him an instant draw in the underground scene.
By 1994 R.A.W. alongside Dj Curious and Dj Trance (Jason Blakemore) started L.A.'s first jungle weekly called....JUNGLE! Located at a dirty abandoned train station known as the Belmont Tunnel (Predator II was filmed here as well), the weekly gathering was the only place on the westcoast to hear the dark sounds of reinforced and suburban base records. The venue was kept dark with only one laser to keep the junglist listening and falling deeper into the music.
By the mid-90's R.A.W. was traveling all over the world rocking crowds with his signature sound of urban jungle choonz and b-boy turntable tactics. In 1997, R.A.W. would go on to win the West L.A. Music Dj Battle judged by Dj Quik. "I remember Quick jumping like crazy when I was rocking doubles of J Magik's 'Your Sound'", says R.A.W. Shortly after this he was hired by a Japanese sound design company to produce 2 sample cd's: DRUM AND BASS AMMO and HIP HOP AMMO; both were sold with the Roland SP-808 in Japan. Also around this time he began to release his jungle productions on labels like Warner Bros., Thrive, Priority, Mictlan, Tonz of Drumz, N2O and by 2000 on labels like Thermal, Vortex, Sound Sphere where the sound was getting faster and rougher. His single on Sound Sphere was a masterpiece created with E-Sassin at the Sound Sphere studios. Together they weaved an intricate tale of twisted breaks and evil winds over a relentless bassline that would pound the listener every 16 counts. "That song still wrecks shop everytime I play it out..and of course I have to rock doubles!"
Other R.A.W. classics still rock dancefloors worldwide like - Passin Me By Remix, Klash, Jah Rise, Ragga 2001 (which brought the stateside ragga-jungle sound to the masses), Mathematical Chemistry and Monkey Business..just to name a few! His discography has reached over 50 vinyl releases and a plethora of mixtape / mix-cd releases that sell out throughout the year!
In 2006, while working on some drum and bass material R.A.W. heard a bassline coming from the nextdoor studio and asked, "what or who is this?" It was a mix by Youngsta from the UK, "the sound spoke to me and said follow me...and I did". R.A.W. continues, "I felt like I was ready to change my style and move onto a new sound...dubstep was exactly what I needed at the time. Drum and bass reached a point where I no longer felt like it was me and it was also getting too fast and void of the funk."
By 2007 R.A.W reinvents himself as 6BLOCC and is releasing his new sound on labels like Lo Dubs, N2O, Tribe Steppaz UK, Bootshake UK, La Dubstep Nostra and the popular white label War Recordings. In 2008, Portland bass music label, Lo Dubs calls upon the 6BLOCC to rock a mix cd featuring the Lo Dubs roster. A blend of hypnotic textures and warped basslines from the future cut the f*ck up using Cubase SX3, 6blocc says, "I decided to use Cubase to give it a different feel than the usual mix-cd and to add my own samples and edits." The result is ANALOG CLASH, the first CD compilation / mix that features dubstep music from the Americas (north and south) as well as a remix from Vex'd. So far it has sold over 3000 units within months of the release date! When he isn't on the road or in the air flying to various clubs and events throught out the U.S. 6BLOCC is managing his digi-label DIGITAL 6 (available on www.digital-tunes.net - www.chemical-records.co.uk - www.addictech.com) and knocking out dubstep remixes and originals.
The word on the streets is 6BLOCC is looking to put out some white labels of his hottest dubplates that always get the call...PUULLLL UUUPPPPP!!!! If you're wondering what the name 6BLOCC means? "I got the name from a Masta Ace song here he says, "the bass I create is heard from six blocks". BOOM!
He went on to film a music video for one of the releases which aired on local L.A. music video shows. That same year he joined the legendary L.A. hiphop radio station, KDAY and spun live broadcasts along with other Angelino djs called HIGH ENERGY MIXMASTERS. During this time, he entered many dj battles including showdowns with Joe Cooley, Tony A. and JRocc. This experience has led to the legend we now see on the decks.
In 1991 the sounds of UK hardcore / jungle were creeping onto the shelves of dance shops in L.A. and R.A.W. was quick to spin and represent. With help from Dj Dan, R.A.W. began playing at major raves and underground events throughout the west coast. His sound at the time was a blend of jungle, hiphop, turntablizm and hardcore sounds which made him an instant draw in the underground scene.
By 1994 R.A.W. alongside Dj Curious and Dj Trance (Jason Blakemore) started L.A.'s first jungle weekly called....JUNGLE! Located at a dirty abandoned train station known as the Belmont Tunnel (Predator II was filmed here as well), the weekly gathering was the only place on the westcoast to hear the dark sounds of reinforced and suburban base records. The venue was kept dark with only one laser to keep the junglist listening and falling deeper into the music.
By the mid-90's R.A.W. was traveling all over the world rocking crowds with his signature sound of urban jungle choonz and b-boy turntable tactics. In 1997, R.A.W. would go on to win the West L.A. Music Dj Battle judged by Dj Quik. "I remember Quick jumping like crazy when I was rocking doubles of J Magik's 'Your Sound'", says R.A.W. Shortly after this he was hired by a Japanese sound design company to produce 2 sample cd's: DRUM AND BASS AMMO and HIP HOP AMMO; both were sold with the Roland SP-808 in Japan. Also around this time he began to release his jungle productions on labels like Warner Bros., Thrive, Priority, Mictlan, Tonz of Drumz, N2O and by 2000 on labels like Thermal, Vortex, Sound Sphere where the sound was getting faster and rougher. His single on Sound Sphere was a masterpiece created with E-Sassin at the Sound Sphere studios. Together they weaved an intricate tale of twisted breaks and evil winds over a relentless bassline that would pound the listener every 16 counts. "That song still wrecks shop everytime I play it out..and of course I have to rock doubles!"
Other R.A.W. classics still rock dancefloors worldwide like - Passin Me By Remix, Klash, Jah Rise, Ragga 2001 (which brought the stateside ragga-jungle sound to the masses), Mathematical Chemistry and Monkey Business..just to name a few! His discography has reached over 50 vinyl releases and a plethora of mixtape / mix-cd releases that sell out throughout the year!
In 2006, while working on some drum and bass material R.A.W. heard a bassline coming from the nextdoor studio and asked, "what or who is this?" It was a mix by Youngsta from the UK, "the sound spoke to me and said follow me...and I did". R.A.W. continues, "I felt like I was ready to change my style and move onto a new sound...dubstep was exactly what I needed at the time. Drum and bass reached a point where I no longer felt like it was me and it was also getting too fast and void of the funk."
By 2007 R.A.W reinvents himself as 6BLOCC and is releasing his new sound on labels like Lo Dubs, N2O, Tribe Steppaz UK, Bootshake UK, La Dubstep Nostra and the popular white label War Recordings. In 2008, Portland bass music label, Lo Dubs calls upon the 6BLOCC to rock a mix cd featuring the Lo Dubs roster. A blend of hypnotic textures and warped basslines from the future cut the f*ck up using Cubase SX3, 6blocc says, "I decided to use Cubase to give it a different feel than the usual mix-cd and to add my own samples and edits." The result is ANALOG CLASH, the first CD compilation / mix that features dubstep music from the Americas (north and south) as well as a remix from Vex'd. So far it has sold over 3000 units within months of the release date! When he isn't on the road or in the air flying to various clubs and events throught out the U.S. 6BLOCC is managing his digi-label DIGITAL 6 (available on www.digital-tunes.net - www.chemical-records.co.uk - www.addictech.com) and knocking out dubstep remixes and originals.
The word on the streets is 6BLOCC is looking to put out some white labels of his hottest dubplates that always get the call...PUULLLL UUUPPPPP!!!! If you're wondering what the name 6BLOCC means? "I got the name from a Masta Ace song here he says, "the bass I create is heard from six blocks". BOOM!