Robert White is an English composer of the early and Renaissance periods, active in the mid-16th century. He is educated by his father and takes a Doctor of Music degree at Cambridge University in 1560.

Career

In 1561 he succeeds Christopher Tye as organist and master of the choristers at Ely Cathedral, and remains there until 1566. He then takes a similar position at Chester Cathedral, where he is involved in the Whitsuntide pageants in 1567, 1568 and 1569. In 1570 he is appointed organist and master of the choristers at Westminster Abbey, a post he keeps until his death. He is a practising Catholic, and during the Elizabethan period he is one of three Catholics directing the musical services at the Chapel Royal, Westminster Abbey and St Paul’s Cathedral.

Compositions and style

A substantial number of White’s works survive. His Latin motets are considered to place him among the leading English composers of the Elizabethan period. His contrapuntal writing is noted for its quality, and his five-part Lamentations are described as having a style ahead of their time. Other mentioned works include Peccatum peccavit Jerusalem and Regina Coeli. His English anthems are written as part of his official duties, while his Latin services are presented as the clearest expression of his musical character.

Reputation

White is highly regarded by contemporaries, and a pupil later inscribes a verse praising his Lamentations in manuscript. His music is largely neglected for some time after his death, before later scholars bring it back into notice. He is later placed by one commentator among the greatest European composers of his era, alongside figures such as Palestrina and Lassus.